{"id":254,"date":"2026-05-13T12:42:54","date_gmt":"2026-05-13T12:42:54","guid":{"rendered":"https:\/\/losangelesscreen.org\/?p=254"},"modified":"2026-05-13T12:45:40","modified_gmt":"2026-05-13T12:45:40","slug":"winners-may-2026","status":"publish","type":"post","link":"https:\/\/losangelesscreen.org\/index.php\/2026\/05\/13\/winners-may-2026\/","title":{"rendered":"Winners &#8211; May 2026"},"content":{"rendered":"\n<p class=\"wp-block-paragraph\">Best Short Film <strong>The Peripatetic Voyage of the MS St. Louis<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1UbH6ynuI8M8VKEImxBpjmLS2N1uqh_kx\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Documentary <strong>Village of Death: Oradour-sur-Glane 1944    <\/strong>|    <a href=\"https:\/\/drive.google.com\/file\/d\/1m3yePJdYyjNuoHTeBXIesWGFDgKFARy9\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Animation <strong>Antsy Antics<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/124VVL80aWKXg8rfK3gTqe7AkM70NgVfW\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Experimental Film <strong>DADDY BLUEBERRY &#8211; just like a movie<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1mMAJs8stmjl0hsqWjHptPO6qMO4KVZ29\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Debut Film <strong>#FollowMe<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1-beLX9auJc_773mAvYTAXMC-3zMdBexY\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Director <strong>Like A Willow Tree<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1Pmh00K5kDNUBZHHBnytvCLCj3bFWdZV8\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Screenplay <strong>Miss Bondurant&#8217;s Mystery Mansion<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1zYn3KlyUQsRc9p9NLuLzTyRGcbqgCH4l\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Cinematography <strong>Dynamic Pulse of Shanghai<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1CCxlfghWw7RXzKwpm2_Bp8VhPfeRpl9_\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Actor <strong>The Evangelist\/Antonio Bastidas<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1sHF7kz80Xc60VyKzdeBwvPYKyqfg8zDZ\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Supporting Actor <strong>The Last Ryde\/John Maciag<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1Qq-4eRMejKue6R-uxujRxYC4bPrAFguJ\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Student Film <strong>The Country Gentlewoman: Christmas Edition<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1Au8IRJJnEGVXjlCCE_HICf-9miRqpKnp\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best International Film <strong>INactive, America&#8217;s Silent Killer<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1Yq5q0DgZHcp-aSpWCCqcHz3fzkNvk6nC\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best American <strong>Film Nothing to See Here: Watts<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1Wevkmwfsm8zBBIkVOmBsVFt-8iktCwSz\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><br>Best Ensemble <strong>Cast Sherlock Holmes and the True Believer<\/strong>    |    <a href=\"https:\/\/drive.google.com\/file\/d\/1jFfUMSCF5Rt_mgG79TCSBgpMBawGjiiY\/view?usp=drive_link\" target=\"_blank\" rel=\"noopener\">certificate<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Best Short Film The Peripatetic Voyage of the MS St. Louis | certificateBest Documentary Village of Death: Oradour-sur-Glane 1944 | certificateBest Animation Antsy Antics | certificateBest<span class=\"excerpt-hellip\"> [\u2026]<\/span><\/p>\n","protected":false},"author":2,"featured_media":0,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[1],"tags":[],"class_list":["post-254","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/posts\/254","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/comments?post=254"}],"version-history":[{"count":2,"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/posts\/254\/revisions"}],"predecessor-version":[{"id":257,"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/posts\/254\/revisions\/257"}],"wp:attachment":[{"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/media?parent=254"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/categories?post=254"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/losangelesscreen.org\/index.php\/wp-json\/wp\/v2\/tags?post=254"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}